thinking about the future of housing

By Karim Abdel-Wadood

KTLA

KTLA

The scope of LA’s housing crisis is, in a word, massive. It can often be absurd to try to think of it in any non-abstract terms. In concrete terms, there are approximately 66,000 people living on the streets, in shelters or in their vehicles across the county. Within LA city limits, the number of unhoused people has increased 14.2% in the last year. While there are systems in place that are housing what is supposedly a "record number of people", the LA Housing Service's efficacy is called into question because of it's exorbitant - and perhaps disproportionate - spending to the tune of hundreds of millions of dollars. It is not unusual to see inefficiency and ineffectiveness when civic institutions are comprised of convoluted bureaucracies[1]. From a more zoomed-out perspective, there is a culture of viewing housing as a financial investment as opposed to a human right. Gambling on real estate in this way has generated an enormous amount of waste[2]. In addition to that, it's essential to recognize that stagnant wages and systemic racism are also large contributors to this crisis. However, the intersectionality of many factors operating at once makes it disingenuous to definitively say what the main culprits are. The reality is that change must occur at the micro level (through a shift in the paradigms that we as individuals believe in with regards to the things and people we deem to be valuable and deserving), in addition to the macro level (through increased representation in and the formation of non-exploitative civic institutions). It’s important to consider the interoperability of these variables so that we can meditate on and better understand how we have allowed this matter to reach the point that it has, and how we can begin to creatively approach confronting this incredibly large social failure.

That being said, the practice of imagining how we want housing to look like in the future is necessary for reflecting on and understanding what we aim to fix and how. In this, we would be imagining not only what these buildings would look like (and this would be a reflection of the things we value most as domestic creatures such as light, open outdoor space and beautiful forms), but how this would translate to our relationship with our work and our neighbors, and how they would translate into a political voice more able to advocate for itself. Take a moment to imagine a future where our unhoused population were seen as valued and valuable members of society, and not just in the United States. This would involve a paradigm shift in many facets of our understanding of our relationship with our governments, our resources and our fellow citizens. In it’s current manifestation, the American mentality values the individual above the collective to an extreme extent. This translates to individual members of society only getting as much space as they can carve out for themselves, and this subsequently favors the economically empowered. How we see this translated to reality on the ground is in the form of uninspired housing projects that have come to be perceived as being focal points of poverty and crime. Recently, I’ve been introduced to examples of precedents that have helped broaden my understanding of what we may hope to achieve. I wanted to take some time to share two of them.

ArchDaily

ArchDaily

In Chile, as with many countries around the world, an increased emphasis on urbanization has caused a shortage of employment opportunities in rural areas[3]. This has forced many of those living in the countryside to move closer the urban centers by building neighborhoods of informal housing. Chilean architect Alejandro Aravena, with the help of the local community[4], devised a solution. Essentially, "half of a house" - specifically the half that the families of the community in question would not be able to acquire themselves - would be provided by the state to each tenant, including necessary infrastructure like plumbing, bathrooms and kitchens. The design was then conceived such that it would support an expansion of the house that the families themselves would be able to provide. Essentially, providing the frame and then letting the family take over. 

ArchDaily

ArchDaily

International Growth Center

International Growth Center

The article that I cited[5] makes the argument that while these housing developments are a necessary step up from dangerous slums, the approach taken here is one that concedes the fact that the government is only able to provide meager funds. In LA, I don't imagine this would be any different. With that in mind, the long term goal should not be a matter of simply working within the inadequate parameters set by the government, but rather challenging the government to begin prioritizing public sector investment.

It's important to not think of urbanization as the problem that is in need of being fixed. The migration towards urban centers is not strictly due to the lack of infrastructural investment in rural areas (although that is a big part of it). Urban density is - perhaps contrary to popular belief - largely beneficial to social wellness and cohesion because it makes services more easily accessible. The problem arises when our ability to scale urban infrastructure cannot catch up to the rate at which these urban centers grow.

Dezeen

Dezeen

The second example I wanted to look at and discuss is the result of a project led by a federal company that develops workers' housing in Mexico. The community we're looking at is located in Hidalgo, a state bordering Mexico City to the North. The goal was to develop housing solutions that involved new construction techniques, systems for saving water and sustainable power sources[6]. These housing prototypes were developed by 32 companies that aimed to explore typologies reflective of 9 different climate zones in Mexico[7]. As a result the solutions featured a wide range of materiality and building methodologies, ranging from rethinking spatial orginization to recasting structures. The thought framework behind these solutions is what interests me in particular. The concept of rethinking how materials are used and how forms are arranged instead of devising altogether new building typologies makes these solutions more attainable and feasible. Beyond that, and though this may be an incredibly obvious point, designing with the goal of self-sustenance (through paying careful attention to the climatic and cultural conditions) is key to creating thriving communities. 

Dezeen

Dezeen

Naturally, this particular example is not without it's criticisms. It brings to mind Hassan Fathy's experiment in New Gourna, which failed to produce practical solutions for Egypt's urban and housing problems[8]. This is largely attributed to the top-down approach to solving housing crises that is prevalent anywhere there is social hierarchies that draw sharp lines between knowledgeable professionals and the receivers of their expertise - usually working class or individuals that have not had a formal education. In these cases, the needs of the user aren't considered and the project is seen as an experimental work that aims to tackle an issue that's been turned into an abstract idea instead of an on-the-ground reality. This is of particular concern in a place like Mexico (and a place like LA for that matter) where citizens feel underrepresented by and distrustful of their government. The goal here should be to develop housing solutions for working class people that allow them to feel fulfilled, nourished, recharged and actualized, and not simply as a mechanism through which to improve their productivity. While it is natural that as someone becomes more comfortable and happy they are more likely to be more productive, the difference between the two ideations is that in the first ideation, workers are seen as valued members of society and not vehicles for creating value and profit.

Architects 77

Architects 77

It's difficult to imagine a future where we see public housing as a beautiful solution to a serious crisis we face in many urban environments - especially here in LA - and not just a series of concessions we make to our most vulnerable communities to keep the social fabric from unraveling. In this way, the housing system attempts to preserve political stability and private profit accumulation. In actuality, this idea of the commodification of our dwelling space is relatively new[9] and this illuminates for us the fact that this system as it stands is anything but permanent. This future has proven to be well within reach but it requires a reframing of how we think of materiality, resources and the role of the unhoused in our society. Above all, our imaginations should be fueled by a genuine understanding of the needs of our unhoused community and their active participation in the process as contributors and not just recipients.







[1] Scott, Anna. “Homelessness In Los Angeles County Rises Sharply.” NPR, NPR, 12 June 2020, www.npr.org/2020/06/12/875888864/homelessness-in-los-angeles-county-rises-sharply.

[2] Chandler, Jenna. “Will LA Start Building Public Housing Again?” Curbed LA, Curbed LA, 12 Feb. 2020, la.curbed.com/2020/2/12/21133788/housing-right-social-public-los-angeles-bonin.

[3] Day, Meagan. “We Can Have Beautiful Public Housing.” Jacobin, 13 Nov. 2018, jacobinmag.com/2018/11/beautiful-public-housing-red-vienna-social-housing?fbclid=IwAR2mGDnoUUFPKJqwINJasYxJSeVXZKsAZNM9Dy5pi8VoBnjVRHN1zp_eS9U.

[4] “Alejandro Aravena: My Architectural Philosophy? Bring the Community Into the Process.” Youtube uploaded by TED, 6 November 2014, https://www.youtube.com/watch?v=o0I0Poe3qlg.

[5] Day, “We Can Have Beautiful Public Housing.”

[6] Gibson, Eleanor. “Mexico Prototypes 32 Low-Income House Designs in Small Neighbourhood.” Dezeen, 23 Aug. 2019, www.dezeen.com/2019/08/23/housing-research-and-practical-experimentation-laboratory-infonavit-low-cost/.

[7] Pskowski, Martha. “Mexico's Housing Laboratory Shows off 32 Low-Cost Prototypes.” The Architect's Newspaper, 9 Oct. 2019, www.archpaper.com/2019/10/mos-mexican-housing-laboratory/.

[8] Observer, Cairo. “Hassan Fathy and The Architecture for the Poor: The Controversy of Success.” Archi Datum: Architecture in Africa, 28 Mar. 2016, www.archidatum.com/articles/hassan-fathy-and-the-architecture-for-the-poor-the-controversy-of-success/.

[9] Kershaw, Paul. “Capitalism's Housing Crisis.” Socialism Today - Capitalism's Housing Crisis, May 2017, socialismtoday.org/archive/208/housing.html.

 

Sound + Vibration as Manifestations in the Built Environment

by Karim Abdel-Wadood

https://www.archilovers.com/stories/4061/what-architecture-does-sound-orchestrate.html

https://www.archilovers.com/stories/4061/what-architecture-does-sound-orchestrate.html

In thinking about the built environment it seems that we are often concerned mostly with the visual aspects of the architectural landscape. This is not necessarily unusual given that how something looks is a very powerful indicator of it’s identity and it’s attributes. We then create heavy associations between our visual perception and how something feels, specifically as it pertains to architecture. Rarely do we ever think about how a building sounds and subsequently, how the way it sounds makes us feel.

As architects, sound intrigues us for two reasons. The first and most obvious reason being that acoustic design transforms the nature of a space and largely influences it’s function. The second reason is that there is an incredible amount of information that can be extracted from any sound recording, specifically as it pertains to spatial data. As sound is created naturally, it comes to interact with the spaces that we have built and is further carved by them.

https://i.pinimg.com/originals/89/4a/c0/894ac04ed190e1ebc81a34161ae65622.jpg

https://i.pinimg.com/originals/89/4a/c0/894ac04ed190e1ebc81a34161ae65622.jpg

The entirety of the physical world, as we perceive it, is composed of manifestations of vibrational frequencies[1]. All things are vibrating because all things are in motion. The Earth itself behaves like a gigantic circuit, vibrating at a frequency of 7.83 hertz. This is known as the Schumann resonance[2]. What is worthy of attention here is that Earth’s vibration can be clearly measured in natural environments – places like the ocean – but almost impossible to measure in the city where artificial signals cause interference. Electrical engineer Lewis B. Hainsworth hypothesized that geophysical parameters may have affects on health due to the amount of interference with the Schumann resonance. From this it has been hypothesized that the Schumann resonance acts as a tuning fork for all processes of life. Although that is just a theory, what we know with a fair amount of certainty is that vibrations and resonance have an integral relationship with consciousness[3]. The ways that gamma, theta and beta waves oscillate in the brain and interact with each other simulate various types of consciousness. Specific types of communication between resonating bodies are what allow consciousness to expand beyond a highly simplistic level[4].

https://media.cntraveler.com/photos/5a8e074bd363c34048b35a3f/master/pass/Integratron_2018_RiceFisheyeHoriz-6x10.jpg

https://media.cntraveler.com/photos/5a8e074bd363c34048b35a3f/master/pass/Integratron_2018_RiceFisheyeHoriz-6x10.jpg

The design of a space, specifically in terms of the way the elements are organized relative to each other, affects the quality of the sounds that are interacting with these many surfaces and objects. While these sounds are infinitely variable because they are influenced by things outside the physical elements that we can organize, the way we organize objects within space carves out a specific character to the sounds created within[5]. This concept can be expanded upon when we look at how spaces were designed to specifically accommodate specific sounds. Certain kinds of music were developed in specific spaces and these spaces were designed to accentuate certain elements in those different genres of music. Examples would be how gothic churches were built to boost the textural melodic qualities of Gregorian chanting and how open public spaces became gathering spaces to listen to the heavily percussive and rhythmic music of certain African traditions[6].

https://stories.uiowa.edu/revealing-medieval-gothic-cathedrals-mysteries

https://stories.uiowa.edu/revealing-medieval-gothic-cathedrals-mysteries

As we strive towards elevating the human experience through good design and through building structures with the tools of the Earth that allow us to find shelter, to establish familial structures and to reflect our identities and traditions, we must also seek to push our understanding of what the built environment is supposed to do for us. In creating spaces that acknowledge the relationship between resonance and consciousness we can build incubators for higher forms of being instead of building things that are purely meant to sustain our current state of being. Understanding the relationships between frequencies and the formal physical arrangements that they take on can allow us to create highly meditative and immersive spaces, which will undoubtedly facilitate growth and healing, and perhaps begin to gently push us towards an expansion of our consciousness.


[1] “The Architecture of Sound | Shea Trahan | TEDxVermilionStreet.” Performance by Shea Trahan, TED-Ed, 13 Oct. 2015, www.youtube.com/watch?v=R-BMF4e-1bg.

[2] Guzman, Isabel Pastor, and Jan says: “Tuning in to the Earth's Natural Rhythm " Page 2 of 2 " Brain World.” Brain World, 14 Aug. 2020, brainworldmagazine.com/tuning-in-to-the-earths-naturalrhythm/2/.

[3] Tam Hunt, Jonathan Schooler. The "easy part" of the Hard Problem: a resonance theory of consciousness. Authorea. January 04, 2019.

[4] Hunt, Tam. “The Hippies Were Right: It's All about Vibrations, Man!” Scientific American Blog Network, Scientific American, 5 Dec. 2018, blogs.scientificamerican.com/observations/the-hippies-were-right-its-all-about-vibrations-man/.

 

[5] Isaza, Miguel. “Sonic Architecture.” Designing Sound, 29 Sept. 2014, designingsound.org/2014/09/29/sonic-architecture/#:~:text=Within%20architecture%2C%20every%20built%20space,into%20a%20unique%20auditory%20experience.%E2%80%9D.

[6] “How Architecture Helped Music Evolve - David Byrne.” TED-Ed, 8 Mar. 2013, www.youtube.com/watch?v=p6uXJWxpKBM.

Rooms we ❤️

God Mama Du Lounge

Screen Shot 2020-05-16 at 10.36.47 AM.png

God Mama Du Lounge

Rooms we ❤️ | 1960’s vintage Adrian Pearsall sofa, lounge chairs by Pierre Jeannerret & Black Buddha art by L’ Ren Van Der Veen.

The Black Buddha Interview

Ren Van Der Veen:  Black Buddha, An interview by Siana - Aiti Moirae

During the interview Zen Ren finds out that Siana Aiti Moirae is the niece of Nina Simone, the subject of one her paintings.

headshot.jpg

"My main goal as an artist is to remind people that they are spiritual beings having a human incarnation which is why my subject matter is about Buddhism. "

Zen Ren

 

Hip Hop Architecture

Tribe bath ideas

Hip Hop Architecture

It will be hard to put into words what Hip Hop architecture means. You cannot understand music by writing about it, you have to hear it, dance to it, play it and sing it. This goes for architecture; the untrained eye cannot analyze architecture but the mind, body and soul have experienced the phenomenon of dwellings since they day they were born. In due time we will all experience Hip Hop Architecture but for now a description will have to do. Those intrigued and ready will do more then help define the term but play a role in a visual recognition of hip hop architecture. Hip Hop architecture was an idea that manifested while I began to cultivate my talents. Hip Hop music has always been my first love yet the smell of wood drew me into construction, which led me to attend design school. As my design portfolio grew, correlations grew and an apparent architectural rhythm revealed itself. As your eyes move around, your body adjusts to these spaces and you are greeted with a blend of elements, colors, patterns and materials not bound by origin but a juxtaposition that is both pleasing and thrilling to the eye, this is the aesthetic of hip hop architecture. It weaves the story of hip hop into a minimalist interior that incorporates the four elements of Hip Hop (Mcing, Djing, B Boying & Graffitti)... Enough Said.

- Ren Van Der Veen

How Psychedelics Changed My Life...

I suffered from severe childhood trauma, mental health issues from too much time in flight or flight and then the loss of my brother sent me into a state of comfortable numbness. Then one day after a hike in Joshua tree I met a Shaman... I did not begin participating in rituals but cultivated a relationship instead. Then months later I found myself excepting the wisdom of mother ayuahsca. I had no history of drug use prior besides marijuana. I had just finished Ramadan and then fasted for several days without food and very little water (not recommended). As the medicine worked its way over me I spiraled into a pile of snakes, and skeletons and then found myself as a small girl in foster care. I began walking through every moment of my life from dark alleys, to the time I stabbed a man who tried to rape me, awful fights with my mother, eating alone in the bathroom stalls in the several high schools I attended, some moments I remembered and other moments that I had forgotten. This time I witnessed my life to release the trauma, the good, the bad, the ugly.

As I walked through my life like my own version of scrooge, I understood that I was always protected by God. Then I became the Buddha fasting at the tree of life for forty days and forty nights and was able to compare it to my own suffering. It was then that I realized that I had suffered enough and that chapter was over. I opened my eyes and saw my brother purging into a bucket beside me. He would lift up his head and ask for forgiveness. I told him that I loved him and then a second wave of intensity washed over me as I sat in meditative position. The images became really dark and now reflecting back I believe that the darkness that I was holding in my heart belonged to my brother.

The images got so scary that I began singing Orange Moon by Erykah Badu to take me out of that state and back into the presence not wanting to dig into the negative depths of my mind. I would sit there with my chakras wide open saying things like light, love, wisdom in a mantra and then I began to go into a euphoric state that turned into an orgasm with God. Once I released, Jimi Hendrix was in the corner playing the guitar so I got up and began to dance. I danced, and I danced, and I sang, and I danced some more while others were purging into there buckets. This was the moment that I realized that I had made it to the other side of my trauma.

Mother ayuahsca whispered to me to continue my architecture and that everything I am doing is right and in perfect order. I spoke with Steve jobs, Kanye West, my grandfather and gentlemen wearing these tall hats who I later identified as Black Angel. Whom I would later meet backstage at an Erykah Badu show... I took a job at an architecture firm and quickly realized that Yeezy was our client... So it is more then just getting 'high' and as my life unfolds I will learn more about the magic of that night. But how I will never forget the way the stars looked at night and the way the air and the ground beneath me felt when you know you are one with the creator. It will always bring joy to my heart and on days when it is easy to forget the wisdom of that night I can close my eyes and tap into that state of consciousness. I am not the woman I once was before DMT saved my life because now I am a Child of God.

- Ren Van Der Veen